![]() ![]() The break is here held up by a synthesizer lead, joined by the guitar in harmony. ![]() Once again Ghost puts on the contrasts, as the refrain simultaneously imposes itself with full force, very luminous: the “drink me, eat me, then you see the light” chanting could not be more fitting as it is dressed in vocal harmonies - one imagines also a live distribution of wine and hosts to the spectators to back the lyrics. Of a softness marked the couplets, with supple drums, as well as piano. “See The Light”: “Like a wolf in sheep’s clothing (understand: a rock title disguised as a ballad). A break that takes back the refrain in a “diabolical” way adds theatricality to the title. Ghost navigates, as usual, between the shadows and the light. But it’s only to better clear the way and create contrast in a very melodic and ecstatic refrain. Followed by couplets of riffs, heavy and cutting. Starting with a neo-classic-ish lead rhythm through punching drums. Despite the devastating guitars, it still kicks off an enormous and exhilarating harmonious refrain!” ![]() The meeting of Tony Iommi and Shostakovich. “Faith”: “A beast, agitated and grating, with small touches of the neo-classical. One plunges immediately into the universe of ghost with this little call back to Meliora on piano, in the form of a “passage de témoin”. It’s an introductory title where one, indeed, hears children singing a nursery rhyme before the arrival of sombre guitar chords and a synthetic organ lead. ![]()
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